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Usually in brass attached with bolts and circular nuts (fitted with a special tool) until about 1770; after that they became square.Some early pieces still with bail handles with pierced backplates, but generally after 1740, simple swan-neck designs were common, with two separate circular and variously decorated roses.set the standards for virtually all wood chair manufacturers until the present day.More reproductions have been made of mid-18th C chairs than any other period.Often less well proportioned, much simpler in design with splats with little or no carving.The methods employed by London makers of the mid-18th C.

We offer a complete Coverage Review and a Risk Assessment to determine gaps and better protect your business assets.Victorian reproductions were either rather clumsy or with over done ornate carving with thin cabriole legs ending in heavy ball and claw feet.Generally not so refined as the classical 18th C originals.Thomas Chippendales "Gentleman and Cabinet Makers Director", published in three editions (1754, 1755 and1762) had a major influence on mid-18th C. In as much as he applied popular Rocco, Chinoiserie and Gothic design motifs to already fashionable shapes for both grand and simple household furniture. Chair makers at all levels - London, provincial and country adapted and modified their designs to suit their own skills, and their customers tastes and pockets.Country versions are instantly identifiable when made in woods than Mahogany.

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