Who is mitchell davis dating
After taking time out to write his memoirs, he founded the company Arista Records (named after New York City's secondary school honor society, of which he was a member, and replacing Columbia Pictures's Bell Records label).
At Arista, Davis signed Barry Manilow, followed by Aretha Franklin, Dionne Warwick, Patti Smith, Westlife, Al Jourgensen, The Outlaws, Eric Carmen, Exposé, Taylor Dayne, Ace of Base, The Right Profile, Air Supply, Ray Parker, Jr. La Face subsequently became the home of TLC, Usher, Outkast, Pink and Toni Braxton.
The contract dissolved, and the band released their album on another label 35 years later.
Columbia Pictures (at the time unrelated to Columbia Records) hired him to be a consultant for the company's record and music operations.
The company, which had previously avoided rock music (its few rock acts prior to the Davis presidency included Dion Di Mucci, The Byrds, Simon & Garfunkel, and Paul Revere and the Raiders), doubled its market share in three years.
One of the most commercially successful recordings released during Davis' tenure at Columbia was Lynn Anderson's "Rose Garden," in late 1970.
The song reached No.1 in 16 countries around the world and remained the biggest selling album by a female country artist for 27 years.
From 2002 until April 2008, Davis was the chair and CEO of the RCA Music Group (which included RCA Records, J Records and Arista Records), chair and CEO of J Records, and chair and CEO of BMG North America.
Davis is credited with hiring a young recording artist, Tony Orlando, for Columbia in 1967.
The accomplishment was mentioned in the 1979 Aerosmith song "No Surprize", where Steven Tyler sings, "Old Clive Davis said he's surely gonna make you a star, just the way you are." Bob Weir of The Grateful Dead occasionally changed the lyrics of the Dead standard "Jack Straw" in concert from "we used to play for silver, now we play for life," to "we used to play for acid, now we play for Clive." According to their documentary he was the only person who was interested in a black band doing rock music, but he asked them to change their name.
They refused, as the name was a reflection of a personal event.
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